A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
It is often easier to suppress stressful experiences instead of dealing with them. And so Klara stands alone in a clearing looking for her child. The young mother sets off on her search and is drawn into the dark forest more than she would like. Disoriented, she threatens to literally sink into it. Restless and guided by the calls of her child, she penetrates deeper and deeper into nature and thus also into the depths of her own consciousness. Accompanied by the gnawing certainty of a terrible truth, she walks on the threshold between reality and dream.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.







