A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
A child is witness to an assault on a monk by the gang of Lorenzo the Fifth. The monk escapes and takes refuge in the estate of Doña Carlota, a countess who lives with her son Juan and daughter Beatriz. Basilisa, the maid, conjures the devil to free her son from an irreversible illness, but to do so the evil must be transmitted to an innocent soul, and for that she chooses Beatriz. The child begins to be the victim of a possession, for which everyone blames the monk.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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