A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Young-il is a plotter who manipulates murder-for-hire cases to look like accidents. Nobody knows those accidents are in fact perfectly plotted, planned murders. After finishing a flawlessly plotted case with no trace of evidence left behind, Young-il receives a new request. His new target is a prominent political figure who is always under the spotlight. Even with the higher risk of getting exposed, Young-il decides to take the case with his team members, Jackie, Wol-cheon, and Jeom-man. When the plot is ready after immaculate preparation and numerous rehearsals, the team finally makes its move, but some unexpected trouble threatens Young-il’s perfect plan.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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