A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Eva-Maria
Eva-Maria works as a secretary at a teacher training college. A position she is very proud of. It was not easy to get this job, because she has been dependent on a wheelchair since her childhood due to spastic cerebral palsy. However, Eva-Maria has never let herself be intimidated. She knows what she wants and how to get it. Without compromise, she wants to create the life she has always dreamed of. One of her biggest dreams: a child of her own. With the help of in vitro fertilization, she now wants to fulfil this wish for herself. Supported by her family and accompanied by her assistants, she tackles "the child project". But her situation is unknown territory for everyone. The peculiarities of her body present new and unfamiliar challenges to both medicine and her assistants. Documented by one of her assistants, this film provides an unusually intimate insight into a life beyond conventional family planning.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.





