A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Maryša
Maryša, a peasant daughter, is forced by her greedy parents to marry a rich miller, a widower with three children. But she loves the village scoundrel Franck, who has no hope against Vávra. Francek goes to the army and Maryša and Vávra go to catechism with the priest. Maryša and Vávra's marriage is unhappy. The parents also realize their mistake, especially Lízal, who offers his daughter to return home. Maryša refuses and also rejects the proposal of Franck, who has returned from the army and asks her to run away to Brno with him. She chooses a tragic solution...
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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