A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
A group of vagabonds happen to loot a man of ethics and on their way to their hideout take asylum (forcibly) in a house owned by a pregnant woman and her husband. They unintentionally kill the woman's husband and run away. After many years the killers have become big wheels of the society and are now into vulgar display of wealth characterized by frequent high-profile parties and events. However, little do they know that a hideously deformed monster is lurking around them and in the nearby woods seeking revenge for their sins. The killers start dying mysterious deaths at the hands of the monster. Who is this monster and will the remaining ones survive?
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.







