A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Leila, a lonely young soul spends the night partying with her friends Nancy, David and Nash in a warehouse. As the boys drink up and smoke pot all social barriers between the sexes crumble. Leila, hit on by both men, hides away from them. Alone she senses there is someone else who wants her and certainly he is not of this world. A 200 year old Dracula escapes from a crate and reveals himself to Leila and tells her that she is his lost love. For him to live again and be with her, she must bring him the blood of her friends to drink and make love to him. Hypnotized by his sexual powers, Leila does as she is told. Leila and a handsome young Dracula get away and live happily ever after.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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