A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Karis (Nicole Oliver) is a clothing store owner who picks up a handsome music executive, Lars (Christopher Shyer), in a bar and immediately engages him in some very hot sex that leads to an ongoing physical relationship. One morning Lars encounters Morgan (Rob Lee) in Karis' kitchen; Morgan is her future ex-husband and a policeman with a violent temper who begins a campaign of intimidation to make Lars stop seeing Karis. But wait: 30 minutes into the movie the point-of-view changes to Morgan's, and we see he's not such a bad guy after all and that Lars is the hot-tempered villain. But wait: 30 minutes later the point of view switches to Karis, and it turns out that she hasn't been completely honest about things. Whose story is the real one?
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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