A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Pale Rainy Days
Kim Hyun-pil, an orphan, gets caught for picking pockets. At the police station, he causes trouble for the police. Detective Koh, takes sympathy on Hyun-pil's situation and takes him home to raise him as his own. Hyun-pil grows into a fine young man under the Koh's care, and despite resentment and scorn of Koh's son Mook, Hyun-pil is nurtured by love from Yeon-ji, Mook's sister. But even as adults, the discord between Mook and himself forces Hyun-pil to leave their home...
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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