A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Feuer für den großen Drachen
Berlin Kreuzberg at the beginning of the 80s. Lawyer Hanna, daughter of a good family and working as a scientific social worker, gets caught between two sides. Her conservative fiancé Konrad wants to avenge the murder of his friend Theo on the Turks, but she loves a young Turk and wants to help the foreigners with their problems. There are also gray wolves and right-wing radicals, there is xenophobia and pressure creates counter-pressure - rebellion, bomb attacks and prison riots are the order of the day. An almost predictable catastrophe is on the horizon.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.






