A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Galloping Bungalows
All the qualified men line up to be chosen, as an heiress advertises that she will marry the man with the most interesting mustache, that marriage which comes with a mansion. John Syrup Soother wins the marriage to who he believes is the heiress, Olive Palmer, a tank of a woman who has lost her beauty with age. But he learns that he his betrothed is not the heiress, Diana Palmer, but her mother. Howson Lotts, a shyster and one of Diana's other suitors, sells John a beach-front house for his new life, that house which is not all that it seems on the surface. In the meantime, others still will do anything to be Diana's betrothed, that choice in which John now has a different but still vested interest.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.







