A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Paul Miller has struggled as an actor in Hollywood for years, and now he's had enough. But not just of show business-of life. In two days, he's going to kill himself. But in true Hollywood style, he's hired a film crew to chronicle his last moments and the events leading up to them; it's the role of a lifetime. Often ironic and darkly comical, this is the story of a man searching for meaning and hope. This is the story of two days in the life of Paul Miller. The only question is, will they be his last?
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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