A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
In 1915, Atlantic City is a sleepy seaside resort, but Brad Taylor, son of a small hotel and vaudeville house proprietor, has big plans: he thinks it can be "the playground of the world." Brad's wheeling and dealing proves remarkably successful in attracting big enterprises and big shows, but brings him little success in personal relationships. Full of nostalgic songs and acts, some with the original artists. Reissued in 1950 as "Atlantic City Honeymoon".
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.






