A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
The path of sin
It tells the inspiring story of Juan Dávila. At the age of 32, he left his steady job as a municipal police officer to devote himself to show business. Thus began a ten-year journey performing in bars, squares, variety halls, and some theaters. A journey in which he started a theater company (Improclan) where he brought together people who, like him, were looking for their niche as comedians.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.






