A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Piedmont (Italy), nineteenth century. In Turin, the priest Don Bosco, a man from a humble farming family, he gave himself totally and passionately to the task of collecting from the streets to marginalized children and care for them. Not only out of poverty, ignorance and social distress, but it got for the first time, to feel loved. He fought with extraordinary faith and tenacity to overcome obstacles and snares that both the civilian and ecclesiastical authorities, they put in their path to prevent him from completing his goal: the founding of the Congregation of the Salesians, which would guarantee the future of their children .
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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