A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Throughout the 1990s, a group of MIT engineers and artists lead by cross-dressing musician and programmer Chris Korda form a faux suicide cult that uses a unique blend of Neo-Dadaism, culture jamming, and media-hijacking pranksterism to provoke cognitive dissonance, challenge anti-abortion domestic terrorists, and attempt to save the planet from imminent environmental catastrophe; a meditation on outrage culture and the power of controversy in a burgeoning attention economy.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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