A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Jirokichi of the Wind ―Night's Flight Over Edo―
At the end of the Edo Period, there was a legendary chivalrous thief who stole from rich merchants and self-serving samurai and gave to the virtuous people of the town. His name was Nezumi-kozo (Rat Boy) Jirokichi. This musical is about how he competed with and was friends with the hero of so many period dramas (Touyama Kinshiro), and about the loves they surrounded themselves with in the new and progressive Japan. A Takarazuka take on the tale of Nezumi-kozo.
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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