A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
Alam (Anowar Hussain), a young man from a rural background, is forced to leave his family just after the marriage when his wife Luchi (Rosy Samad) feels uncomfortable at his poor home. This makes his father go for earning even at the old age, his lame brother is forced to sell newspapers on the streets, and eventually his younger sister (Sujata) is forced to marry a mentally-challenged person, sacrificing her true love for Kabir (Abdur Razzak), who is again Alam's brother-in-law, to cover up the loan once taken by his father from a village landlord.
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3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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