A patient, formally daring work — the cinematography lingers on empty rooms longer than most audiences will tolerate, but those who stay are rewarded with the most haunting final act of the year.
In late 19th-century Canton, legendary hero Wong Fei-Hung battles foreign forces' (English, French and American) plundering of China. When Aunt Yee returns from America totally westernised, Wong assumes the role of protector. This proves difficult when his martial arts school and local militia become involved in fierce battles with foreign and local governments. As violence escalates, even Aunt Yee has to question her new western ideals, but is it possible to fight guns with Kung Fu?
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Critics & Reviews
3 featuredI walked in expecting another genre exercise and walked out feeling like I'd been eavesdropping on a confession. The lead performance is genuinely singular — a career-defining turn.
A few too many scenes feel borrowed from a better film, but the soundtrack and the production design carry the rest. Solid recommendation for fans of slow-burn European thrillers.
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